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BurnWorld > Articles >

DVD+R DL LogoLegalities of DVD Copying - Intro to DRM


  1. Introduction to Digital Rights Management
  2. Digital Milinnium Copyright Act
  3. DRM Advocates & Opponents


Page 2

Digital Millennium Copyright Act

The Digital Millennium Copyright Act was passed in the United States in an effort to make the circumvention of DRM systems illegal. It was passed without debate, and without even token opposition, Congress being lobbied by the content industries and apparently under the impression that it was a "technical" enactment, without significant public policy implication. It has been widely imitated by governments elsewhere.

Despite the passing of this law, which has since received substantial opposition on Constitutional grounds, it is easy to find DVD players which bypass the limitations the DVD Consortium sought to impose. John Hoy, president of the DVD Copy Control Association, in testimony to the Library of Congress in 2003 stated "furthermore, if a consumer in the United States desires to view a DVD disc that has been region coded only for Europe, then that consumer is free to purchase a DVD player (either hardware or software) that is coded to play European DVDs. No legal restrictions apply – either through the CSS license or otherwise – to the importation and use of non-U.S. region players in the United States". (reply comments, comment 28, page 4, PDF document).

There has been a widely publicized arrest and arraignment of a Russian programmer, Dmitry Sklyarov, for violation of the DMCA. He did the work cited for his employer, Elcomsoft, while in Russia, where it was and remains entirely legal. The product allowed those who were in possession of a password, presumably lawfully obtained along with the encrypted copy of the work, to make copies without encryption locking them to use on a single computer. Sklyarov was arrested on a criminal warrant during a lecture visit to the US, and spent several months in jail until a compromise was reached. The ensuing criminal case against Elcomsoft (for whom Sklyarov did the work) resulted in acquittal. See Professor Edward Felten's freedom-to-tinker Web site [1] for some observations on the DMCA, its proposed successors, and their consequences, intended and unintended.

The DMCA is also causing a chill in the activities of many prominent computer scientists. Professor Felten, of Princeton, has had difficulty publishing papers he and his students have written; they were related to a contest sponsored by a security software company inviting investigation of a product design. (See Internet postings in Felten v. RIAA). Alan Cox, the Englishman who was Linus Torvalds' chief deputy throughout almost the entire first decade of the development of Linux, has resigned his position due to his concern that a criminal charge might be laid against him as a result of some code in the Linux kernel. He has even declined to post explanations of some changes made in the kernel (the changelog is fundamental to the project) because of his concern about his exposure to prosecution and penalty under the DMCA; such explanations might be seen as a DMCA "disclosure". He has also declined to attend US software conferences for similar reasons. Niels Ferguson, a Dutch cryptography expert and security consultant, discovered a flaw in an Intel security protocol, told Intel about it and was told that Intel had no objection to his publishing a paper about the problem. He has nevertheless decided not to publish due to concern about being arrested under the DMCA.

New and even more controversial DRM initiatives have been proposed in recent years which could prove more difficult to circumvent, including copy-prevention codes embedded in broadcast HDTV signals and the Palladium operating system. A wide variety of DRM systems have also been employed to restrict access to eBooks. See the TCPA/Palladium FAQ [2] maintained by Cambridge Professor Ross J. Anderson for a clear discussion of two prominent proposals.

Opponents of DRM, as envisioned and as currently implemented, note that by delegating control of computer access (or control of the ability to execute some programs, or to execute programs only with certain data) to anyone except the user and the machine's administrator(s), there is a very considerable risk of problems caused by such third party interference which go well beyond the enforcement of copyright.

For instance, due to a bug (or misdesign, or misadministration of an otherwise "reasonable" design) the control software (eg, in a trusted computing system) implementing the local part of a DRM scheme may prevent a computer user from using his computer at all, or from using programs (or using data as an input to a program) when such use is actually completely legitimate and not a violation of any copyright holders' rights. Or, for another example, a legally obtained copy of a DVD might be blocked or crippled because it is being used on equipment which doesn't include the DRM function permitting access to it, or which if included, doesn't interoperate correctly. Currently, DVDs legally purchased in some places are not playable in other places for exactly these reasons, although in this case it is marketing considerations, and not "security", which is the reason for the restriction. DRM provisions have appeared in released versions of some subsystems of the Microsoft Windows operating system (e.g., Windows Media Player) and are scheduled in more as Palladium is implemented in currently planned, not yet released, versions of Microsoft Windows.

Security protocols, software implementing security protocols, and cryptography have historically proven extremely difficult to design without vulnerabilities due to bugs or design mistakes. This has been true of designs from experienced and well respected professionals; the record is abysmally poor for those inexperienced in cryptography and security protocols.

Other copyright implications

While DRM systems are ostensibly designed to protect an author's right to control copying, this protection is only half of the bargain between the copyright holder and the state. The other half of the bargain is that after a statutorily-defined period of time the copyright work becomes part of the public domain for anyone to use freely. DRM systems currently employed are not time limited in this way, and although it would be possible to create such a system (under compulsory escrow agreements, for example), there is currently no mechanism to remove the copy control systems embedded into works once they enter the public domain, after the term of copyright expires.

Furthermore, copyright law does not restrict the resale of copyrighted works (provided those copies were made by or with the permission of the copyright holder), so it is perfectly legal to resell a copyrighted work provided a copy is not retained by the seller—a doctrine known as the first-sale doctrine in the US, which applies equally in most other countries under various names. Similarly, some forms of copying are permitted under copyright law, under the doctrine of fair use (US) or fair dealing (many other countries). DRM technology restricts or prevents the purchaser of copyrighted material from exercising their legal rights in these respects.

Moreover, the scope of legal rights cannot, in principle, be fully encoded in technical access/copying restrictions. For example, a photograph generally falls under the copyright of its photographer, and may not be reproduced in an unlimited way by other persons. A photographer wishing to enforce her copyright might attach some DRM codes to a digital version of her photograph that indicate "may not be copied." However, the photographer might subsequently sign an agreement with another party authorizing such duplication (either for monetary payment, or to serve some other public or private purpose). Under law, the moment such an agreement is signed, copying (under the terms set forth) becomes legal; but the DRM software cannot know that people with pens affixed their name to the contract, and thereby changed legalities.

An oft-cited example of DRM overreach is Adobe Systems' release in 2000 of a public domain work, Lewis Carroll's Alice in Wonderland, with DRM controls asserting that "this book cannot be read aloud" and so disabling use of the text-to-speech feature normally available in Adobe's eBook Reader.

DRM has been used by organizations such as the British Library in its secure electronic delivery service to permit worldwide access to substantial numbers of rare (and in many cases unique) documents which, for legal reasons, were previously only available to authorized individuals actually visiting the Library's document centre at Boston Spa in England. This is an interesting case where DRM has actually increased public access to restricted material rather than diminished it.

 

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